Laura Russo Gallery
Gallery Exhibitions Artists Links

  Artist List

  

Eric Stotik    Images  |  Bio

ERIC STOTIK
b. 1963

EDUCATION
B.F.A. Pacific Northwest College of Art 1985

AWARDS

Jurors’ Award, Around Oregon, Corvallis Art Center, Corvallis, OR 2005
Artist in Residence, Gordon Gilkey Center for Graphic Arts, Portland Art Museum,
Portland, OR 1997
Jurors’ Award, Willamette Valley Juried Exhibition, Mary Ann Deffenbaugh, Juror 1996
Art Matters Grant 1995
Betty Bowen Memorial Award, Seattle Art Museum, Seattle, WA 1994

SOLO EXHIBITIONS

The Laura Russo Gallery, Portland, OR 2009
PDX, Portland, OR 1996, 1998, 2000, 2002, 2004
Aaron Packer Gallery, Chicago, IL 2003
Drawings and Paintings, Clatsop Community College, Astoria, OR 2002
Esther Claypool Gallery, Seattle, WA 2000, 2001
Intaglio Prints, PDX, Portland, OR 1997
Susan Cummins, Mill Valley, CA 1995
Untitled, exhibit of the 34 panel painting, Jamison/Thomas Gallery, Portland, OR 1994
Portland Art Museum, Portland, OR 1994
Jamison/Thomas Gallery, New York, NY 1992
Paintings, Jamison/Thomas Gallery, Portland, OR
Recent Paintings, Jamison/Thomas Gallery, New York, NY 1989, 1990, 1991
Myth and Magic, Jamison/Thomas Gallery, Portland, OR 1988
Small Paintings, Small Works on Linen, Jamison/Thomas Gallery, Portland, OR 1986


GROUP EXHIBITIONS

“Celebrating PNCA at 100: An Exhibition of Alumni Artists,” The Laura Russo Gallery, Portland, OR 2009
“Summer Group Show,” The Laura Russo Gallery, Portland, OR 2009
“The Collector’s Eye: Contemporary Art from the Leo Michelson Collection,”
Hallie Ford Museum of Art, Willamette University, Salem, OR 2008
Choice Cuts: Works from Private Collections, Mark Woolley Gallery, Portland, OR 2008
Northwest Coast Invasion: Geographic Proximity / Obsessive Coincidence,
Packer Schopf Gallery, Chicago, IL 2007
Charles Seluzicki: 30 Years as a Fine Press Printer, Collins Gallery,
Multnomah County Library, Portland, OR 2006
Contemporary Kiln-Glass: A Survey of Works from the Bullseye Connection, 1980 to the Present,
Houston Center for Contemporary Craft, Houston, TX 2006
3rd Around Oregon Annual, Artcentric Artshop, Corvallis, OR 2005
War Drawings, Visual Arts Center, Mt. Hood Community College, Gresham, OR 2005
Around Oregon, Corvallis Art Center, Corvallis, OR 2005
The Third Mind, Collaborations by Eric Stotik and Tom Cramer, Aalto Lounge, Portland, OR 2004
Art at War, Aldo Castillo Gallery, Chicago, IL 2004
Water World, South Bend Regional Museum of Art, South Bend, IN 2004
Found in Translation, Bullseye Connection Gallery, Portland, OR 2004
Gender in Conflict, 24th Annual Gender Symposium, Lewis and Clark College, Portland, OR,
curated by Barbara Bartholomew 2004
Bibliocosmos, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, OR,
curated by Stephanie Snyder 2003
Core Sample: Reallegories, Belmont Factory, Portland, OR 2003
PNCA, Portland, OR, curated by Nan Curtis 2002
Tantric Drawings, Indus Books, Portland, OR 2002
Multum in Parvo: Monarch Sculpture Park, Tenino, WA 2002
Carved Paintings: Collaborative Works by Eric Stotik and Tom Cramer: Indus Books, Portland, OR 2001
Salon de Refuse: An Exhibition of Works Rejected by the Oregon Biennial,
Groundswell Gallery, Alberta Street, Portland, OR, curated by Jenny Rideout and Mariana Tres 2001
Group Show, Lyons Wier, Chicago, IL 2000
Physical Manifestations, PDX, Portland, OR 2000
Figuration, Jill George Gallery, London, England 2000
Northwest Print Invitational, Davidson Gallery, Seattle, WA 2000
Century of Northwest Printmaking, Lucia Douglas Gallery, Bellingham, WA 1999
Within/Without, Archer Gallery, Clark College, Vancouver, WA 1999
Lyons Wier Gallery, Chicago, IL 1999
Summer Group Show, PDX, Portland, OR 1998
Here and Now, Tidbit Gallery, curated by Randy Gragg 1998
Betty Bowen Award, 20th Anniversary Exhibition, Washington State Convention Center, Seattle, WA 1998
Texas National 98 Exhibition, SFA Gallery, Nacogdoches TX 1998
In the Spirit: Contemporary Art and Religious Tradition, Legion Arts, Cedar Rapids, IA 1997
Introductions, New Work, Linda Hodges Gallery, Seattle, WA 1997
The Tool Show, Portland Institute for Contemporary Art, Portland, OR 1996
Invitational Drawing Show, Western Oregon State College, Monmouth, OR 1996
Mythic Narrative, Palo Alto Cultural, Palo Alto, CA 1996
Willamette Valley Juried Exhibition, Corvallis Art Center, Corvallis, OR 1996
Fire and Ash, PDX, Portland, OR 1996
Spirit & Ritual, Lizardi/Harp Gallery, Los Angeles, Ca 1996
On a Small Scale, Susan Cummins Gallery, Mill Valley, CA 1992
Sign of the Cross, Jamison/Thomas Gallery, Portland, OR 1992
Dreams and Shields: Spiritual Dimensions in Contemporary Art, Salt Lake Art Center,
Salt Lake City, UT, curated by Frank McEntire 1992
Expressive Visions and Exquisite Images, Richard Brown Baker Collection, Meadow Brook Gallery,
Oakland University, Oakland, MI 1991
Compulsion, Jamison/Thomas Gallery, New York, NY 1991
Faces, Figures, Gestures and Sign, Oregon Art Institute, Portland, OR 1990
Art of the Contemporary Triptych, Jamison/Thomas Gallery, Portland, OR 1990
Sum of the Parts, Jamison/Thomas Gallery, New York, NY 1990
Kansas Fourteenth National Small Painting, Drawing and Print Exhibition,
Fort Hays State University, Hays, KS 1989
Small Works, Jamison/Thomas Gallery, Portland, OR 1989
Facts of the Imagination, Washington State University, Pullman, WA 1988
Oregon Biennial Exhibition, Oregon Art Institute, Portland, OR 1987
The Figure, Jamison/Thomas Gallery, Portland, OR 1987
Body Hell, Jamison/Thomas Gallery, Portland, OR 1987
Oregon, Washington, Juried Exhibition of Art, Maryhill Museum of Art, Goldendale, WA 1987
Hot Summer, Black Magic, Jamison/Thomas Gallery, Portland, OR 1985

SELECTED COLLECTIONS

City of Portland, Portland, OR
Hallie Ford Museum, Salem, OR
Reed College, Portland, OR
New York Public Library
Giorgio Bianchi/Renzo Piano Workshop Paris-Genoa
Daimler Benz, Berlin, Germany
Portland Art Museum, Portland, OR
University of Oregon, Eugene, OR
Nora Eccles Harrison Museum of Art, Idaho State University, Logan, UT
Yale University Gallery, New Haven, CT
University of Washington Henry Art Gallery, Seattle, WA
Monarch Sculpture Park, Tenino, WA

COMMISSIONS AND PROJECTS

Books, Publications, Video Productions

Sustainable Forestry Initiative, public service announcement, for Chel White Films, Inc., 2002
Willamette Week Restaurant Guide, cover art, 2001
“Salon de Refuse,” Exhibition Catalogue, 2001
Ashbery, John & Eric Stotik; The Kaiser’s Children; Charles Seluzicki Fine Books, Portland, OR. 1997
Excerpts , from Dreams of Adulthood, illustrated by Stotik, fine press ltd. edition of 50,
signed by author and artist, 1997
Simic, Charles & Erik Stotik (sic); The Emperor; Charles Seluzicki Fine Press Series, Portland, OR.
Limited edition of 101, illustrated and hand lettered by Stotik, signed by author and artist,1997
“The Mower: Fear / Angst Issue,” Memoria Pulp, Uberlingen, Germany, 1993
“Mississippi Mud,” cover art, Issue 36, 1989

MUSIC

Crouton and Longbox Recordings; CD cover art for “Creatures of Cadence” by Daniel Menche, 2007
Antifrost, Germany; CD cover art for “Skadha” by Daniel Menche, 2004
Road Cone, CD cover art for “I Can Climb a Tree...,” Goodheart Allen Powell Trio, 2001
Alluvial Recordings; CD cover art for “October’s Larynx,” Daniel Menche, 2001
Soleilmoon Recordings; CD cover art for “Crawling Towards the Sun”, Daniel Menche, 2000
Up Records; CD cover art for “The Ice in Me,” Enemymine, 2000
Larry Yes, CD Cover art for “All Numbers are Mystical.” 1999
Holy Mountain Records, 7” cover art for “Grozny/Shango;" Sufi Mind Game, 1998
Sub Pop Records, CD cover art for “Share the Fantasy” by Godhead Silo, 1997
Side Effects, CD artwork for “Screaming Caress,” Daniel Menche, 1997
Tesco, 12” cover artwork for “Hymns for Sliced Velocities,” Daniel Menche, 1996
Will Records, CD Cover artwork for “Feel the Freest,” by Hitting Birth, 1995
Soleil Moon Recordings, CD cover artwork for “Static – Burn,” Daniel Menche, 1994
Fermented Music, CD cover artwork for “Hypnagogia,” by Hypnagogia, 1994
Warner Brothers Records, CD cover artwork for “Music,” 311, 1993
Soleil Moon Recordings, CD cover artwork for “Incineration,” Daniel Menche, 1993
Soleil Moon Recordings, CD cover artwork for “Wild n’ Free” Anal Solvent, 1992
La Borachita Music, 7” cover artwork for “Piece of Mind” by “Bulimia Banquet,” 1991
TK Records, 7” cover art for “Paver,” The Hellcows, 1991

BIBLIOGRAPHY

Row, D.K. “Wincing and wondering at Eric Stotik’s vision,” The Sunday Oregonian, April 12, 2009, pp. O1, O4
Lake, Eva, On-Air ArtFocus Interview with Eric Stotik, KBOO, 90.7 FM Portland, Oregon, April 7, 2009
Row, D.K. “Critic’s Picks,” The Oregonian, April 2, 2002, p. E6
Cantor, Allyn, “Eric Stotik: Paintings, “ Preview, April/May 2009, p. 62
Row, D.K., “A collector’s obsession with the local,” The Oregonian, August 4, 2008, pp. B1, B4
Boas, Pat, Art Papers, Reviews, West Coast, Nov/Dec, 2004
“The Portland art-scene walkabout,” nw drizzle, August, 2004
Row, D.K., “Theater of the macabre,” Oregonian, D.K. Row, July 30, 2004
Row, D.K., “Shows of Note,” Oregonian, July 16, 2004
Camper, Fred, “Dreams of Dislocation,” Chicago Reader, December 12, 2003
Boas, Pat, ‘Reallegories’ at Belmont Factory, Artweek, Dec./Jan., 2003
Bowie, Chas, “Arts Rodeo,” Portland Mercury, September 4, 2003
Lambert, Lisa, “The Accidental Allegorist,” Willamette Week, February 14, 2001
Ellertson, Karrin, “Eric Stotik,” Portland Mercury, February 15, 2001
Oregonian, A & E, Calendar (Tuesday), Oregonian, February 2, 2001
Ellertson, Karrin, “Eric Stotik at PDX,” Willamette Week, March 28, 2000,
Albiani, Rebecca, “Deborah Lawrence and Eric Stotik at Esther Claypool Gallery,” Artweek, March 2000
Row, D.K., “Beyond the Theatrical,” Oregonian, October, 1998
Row, D.K. “Dawn of an Era,” Willamette Week, September 25, 1996
Artweek, “Eric Stotik at PDX Gallery,” September, 1996
Gragg, Randy, “Present-tense Art Conjugates Past and Future,” Oregonian, September, 1996
Gragg, Randy, “A Day in the Life of the Apocalypse,” Oregonian, Sunday, May 15, 1994
NW Gallery Art Magazine, May/June, 1990
Allen, Lois, “Eric Stotik at Jamison/Thomas,” Reflex, May/June, 1990,
Gragg, Randy, “Stotik’s Daily News,” Oregonian, June 22, 1990




back to top